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Across A Field As Vast As One

by Sam Anning

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Michael Mueller
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Michael Mueller Such beautiful, soulful jazz.

The music here is superbly composed, with compositions that ebb and flow as naturally as the flowing of water, which lends a reflective, elegiac feel to the entire album.

What is particularly impressive is the intuitive feel between all players, with the saxophonists, Julien Wilson and Carl Mackey being especially good throughout.

This is one of the best Australian jazz albums I've heard. Music as natural as breathing. Favorite track: Sweethearts (feat. Carl Mackey and Andrea Keller).
Vicki Bonet
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Vicki Bonet Such a beautiful recording. Love it.
Andy McClean
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Andy McClean I love this album because in my opinion .... it is pristine. Pure listening joy ..... ad infinitum 😎
TourniquetX
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TourniquetX this album is like a dream
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about

Melbourne bassist-composer Sam Anning's third album as bandleader ‘Across A Field As Vast As One’, is out May 18th on Earshift Music. The band will be touring nationally, performing at the Melbourne, Brisbane and Sydney Con International Jazz Festivals in June.

The National Jazz Award winning bassist has assembled an all-star Australian jazz cast to bring to life his stunning compositions, featuring trumpeter Mat Jodrell, saxophonists Julien Wilson and Carl Mackey, pianist Andrea Keller, and drummer Danny Fischer. ‘Across A Field As Vast As One’ traverses eight original Anning compositions, drawing on diverse influences including his years living in New York City, the Australian landscape, recent world events and most of all, a homage to his late great mentor, the Australian drummer Allan Browne. Anning sums up Browne’s influence on his music with the phrase “music is far too important to take seriously.”

The band has been performing together for the past three years, with recent appearances at the Wangaratta Jazz Festival, The Jazzlab and Bennetts Lane Jazz Club. Each member is an outstanding musician in their own right, with a long collaborative history with Anning. “I love playing with this group of players”, says Anning, “I’ve been working with these musicians for almost 16 years, and they are some of my favourite people in the world. The album is an exhibition of music that has been somewhere in my periphery for a number of years. Some pieces have taken shape over long periods of revision, such as Talking Wall, and others were composed quickly, close to the initial source of inspiration, such as Sweethearts.”

Originally from Perth, Anning has quickly become a major force in Australian jazz, having regularly performed with the late Allan Browne, Joe Chindamo, Aaron Choulai, Paul Grabowsky, and Jamie Oehlers before relocating to New York City in 2011 to complete a Masters of Music at the prestigious Manhattan School of Music. Anning quickly became an in-demand bassist in one of the world’s most competitive cities, touring extensively throughout North America and internationally with performances at the Montreal, Vancouver, Detroit, Jazz a Vienne, Copenhagen, Port au Prince, and Panama Jazz Festivals. He has been fortunate to perform with Joe Lovano, Kenny Werner, Ari Hoenig, George Garzone, Gilad Hekselman, Greg Osby, and Charlie Haden, among many others.

Returning to Melbourne in 2015, Anning has made a significant contribution to the local jazz scene in the last few years. His current projects include DataMeta featuring Gian Slater and Barney McAll, The Stretchropolitans, and George&Ivy featuring Anning’s work as a songwriter and guitarist. He is a regular member of Andrea Keller’s various projects and co-leads the award-winning groups Speedball and Ragstretch. Anning’s recent accolades include the National Jazz Award for bass, an ARIA nomination, a Freedman Fellowship finalist and two Bell Awards.

credits

released May 18, 2018

Mat Jodrell (trumpet/flugelhorn)
Carl Mackey (alto & tenor saxophones)
Julien Wilson (tenor saxophone & bass clarinet)
Andrea Keller (piano)
Sam Anning (double bass & guitar)
Danny Fischer (drums)

Artwork: Nikki Gijselhart
Design: Pat Harris

ABOUT THE MUSIC

Sutrin: This was inspired by ‘Le Mystéres des Voix Bulgares’. In particular the harmony found in the piece ‘Kalimankou Denkou (Evening Song)’.
Sweethearts: This was a sort of rebellion against the dense and complex harmonic and melodic homework of my masters studies at the Manhattan School of Music. It first appeared in a voice memo recording made when I should have been practicing the more esoteric requirements for school. I just wanted two simple chords and a nice melody!

Across a field as vast as one: This was written shortly after the passing of the great Australian drummer, and my mentor and friend, Allan Browne. The title is borrowed from a poem I wrote in NY while he was taking his last breaths in Melbourne:


Now is real

An invisible torturer
Tearing at the brittle edge of my consciousness
Keep me aware and awake
So I can feel
The walls destruct and peel
Yet I cannot escape
One heartbeat
An earth's quake

I can't fight them off without you
My compass
My lighthouse
Guardian of the thunderhead
Leader of the fearless
Melancholy antagonist

My currency may have the weight of your golden heart
Yet I cannot afford to lose you

Of all the times I've been born
No first breath has been more real than you
No flame more intensely blue
As eyes opening for the first time
On light splattering into a
Flat natural shimmer
Across a field as vast as one

Your name is to be spoken slowly

And carefully...

When I awake I'll know we shared this dream
And I'll know that I loved you.


Lake: This was inspired by the volcanic Blue Lake in Mount Gambier, SA. I find volcanic lakes fascinating, that something so serene is a result of something so violent.

Talking Wall: Inspired by a news piece about a wall in Tripoli, Libya that was used as a way for people to send messages to one another by graffiti at night time.

Sunflowers: Is a tribute to the 283 victims of the airliner MH17 that was shot down over the Ukraine on the 17 July 2014. Parts of the wreckage were found in fields of sunflowers.

Hands Reaching: A piece that came out naturally with little intervention from the deprecating voices in my head.

Telos: The title for this piece came after a thought provoking conversation with a 75 year old taxi driver in Berlin where we talked about progressivism and conservatism.

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Sam Anning Melbourne, Australia

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